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Saturday, 11 October 2014

Solve MTS files No Audio in Adobe Premiere Pro CC/CS6/CS5

MTS files import into premiere with no audio? Fortunately, there is an easy way to fix the issue. Let's find it out here.


"We have lots of MTS files with Premiere Pro CS6. I can hear the audio just fine with VLC. If you drag it to the Premiere project it will miss the audio track. I have downloaded an updated version of Premiere Pro from Adobe. And still it won't handle .mts files?"

People who are start using an AVCHD camcorder like Sony NX70, Sony VG900, Panasonic SD90, Canon XA10, etc often have the same case- Adobe Premiere Pro not reading audio from .MTS file as quoted above.

Read related posts about the MTS to Premiere Pro issue, some guys recommend the Media Browser, so I tried that instead of dragging MTS files into Adobe Premiere. Unfortunately it still does not work. After speaking to an Adobe representative I was told this was because I don't have the entire AVCHD folder structure and metadata available, just the .MTS files, and that the reliable workaround to get the audio back into Premiere is to transcode MTS clips into another format like MPEG-2 that Premiere Pro can fully support. This will help you import the file correctly.

Wednesday, 8 October 2014

Can't Import DivX files to iMovie? Solved!

Summary: You may come across problems when you import DivX video files into iMovie 11 or iMovie 08/09. This tutorial just aims to solve iMovie can’t detect DivX codec issues.


According to Apple, iMovie 11 supports most commonly-used video codecs, including DV, MPEG-2, MPEG-4, H.264, AVCHD and AIC. While, when you import DivX to iMovie, you may come across problems- nothing shows up on the screen. That’s because if a file is not "edit" compatible with iMovie, it will be ignored.

Sunday, 21 September 2014

How to Open Brinno Camera AVI files in Sony Vegas Pro

Summary: This article will teach you how to transfer Brinno Camera AVI files to Sony Vegas for further editing smoothly.

The Brinno time-lapse camera is a very simple device that aims to simplify time-lapse photography as much as possible. The difference with a dedicated time-lapse camera like the TLC100/TLC200 is that it takes out a lot of the work that needs to be done such as stitching still images together and creating the video file. The video file will be left with an .AVI contain. It is much simple to take videos, however, you will find that it is a difficult task to edit the captured AVI videos in Sony Vegas.

Friday, 19 September 2014

How to Import Panasonic HX-A500 4K to Adobe Premiere Pro CS5/CS6/CC

Summary: Wanna transfer Panasonic HX-A500 4K videos to Premiere for further editing? This article will give you some hint on how to convert Panasonic HX-A500 4K videos to Premiere supported format.

The Panasonic HX-A500 is the world's first 4K 30/25p wearable camcorder which can record videos with 3820 x 2160 resolution at 30/25 fps frame rate. Many users tend to capture videos via 4K camcorders for outstanding video quality. However, if they want to import Panasonic HX-A500 4K video to some NLEs, like Premiere for further editing, they will encounter some problems.

Monday, 15 September 2014

Tricks for Editing Nikon D810 MOV in Windows Movie Maker


If you are planning to import Nikon D810 H.264 MOV to Windows Movie Maker for further editing, this post can supply a best solution to you. Follow on.



Nikon has released D810 recently, a digital SLR camera that boasts incredibly superior definition and image quality made possible with a new Nikon FX-format CMOS sensor. However, the new released Nikon D810 still adopts H.264 codec to compress the recordings in MOV format. Although this codec is good for capture and delivery, it is not quite suitable for editing that users may have troubles while importing Nikon D810 videos to Windows Movie Maker directly.

Thursday, 11 September 2014

Fast resolve Nikon P600 to FCP/iMovie importing issues

Facing problems editing Nikon P600 MOV files in Final Cut Pro or iMovie? Fortunately, there is an easy way to fix the issue. Check it out here!



The Nikon Coolpix P600 isn't the quickest camera, but that might be a small price to pay for having such a long lens on a relatively compact, lightweight camera. It offers the choice of two Full HD video modes -1080p25 and 1080i50 in H.264 AAC (MOV) format. However, users find it's difficult to import Nikon P600 MOV clips to FCP/iMovie or other NLE system. Here I share with you a simple guide on how to get Nikon P600 MOV video to FCP/iMovie in full compatibility without any editing issues.

Wednesday, 20 August 2014

How to Import Sony A7S XAVC S to Final Cut Pro 7 or FCP X

Problems working Sony A7S media with Final Cut Pro 7 or FCP X? Fortunately, there is an easy way to fix the issue. Let's find it out here.



The sensor of Sony A7S is big, the 35mm sensor with large pixels is good for high ISO and dynamic range, 12.2MP sensor optimized for 4K and low light video recording, with this excellent device you can get uncompressed 4:2:2 full HD in XAVC S format. Overall we are expecting the image to be most exciting from the A7S. However, if we want to import the XAVC S videos from Sony A7S to Final Cut Pro 7 or FCP for editing the movies, you may find the high quality XAVC S files are not recognized by FCP. So what's the available workflow for Sony A7S and FCP?